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	<title>Sylvie Gedda - Artiste Peintre</title>
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	<description>Sylvie Gedda, artiste peintre</description>
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		<title>Au dessus en dessous.</title>
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		<dc:date>2011-10-31T11:05:00Z</dc:date>
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		<dc:creator>Sylvie Gedda</dc:creator>


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		<description>Visions.................

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		<title>Entre le haut et l'eau (&#224; Nadine),nouvelles peintures suspendues</title>
		<link>http://www.art-gedda.com/Entre-le-haut-et-l-eau,28.html</link>
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		<dc:date>2009-10-23T08:42:16Z</dc:date>
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		<description>Exposition itin&#233;rante en milieu naturel : 30 plaques de verre synth&#233;tique suspendues(100 x 100 cm). Esp&#232;re autre lieu, autre structure publique ou priv&#233;e en relais exposition (ext&#233;rieur ou int&#233;rieur) : jardin, parc, square, hall d'entreprise, d'h&#244;pital.... Vous pouvez me joindre par le biais de la rubrique contact au sein du site. &lt;br /&gt;D&#233;voiler, dire les apparences. Ma recherche se base sur le multiple : lumi&#232;res, mouvements, angles de vision... Que l'&#339;uvre soit : ..........recto et verso, hymne &#224; la &lt;a href=&quot;http://www.art-gedda.com/Entre-le-haut-et-l-eau,28.html&quot; class='spip_in pts_suite' &gt; (...)&lt;/a&gt;


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		<title>M&#233;moire</title>
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		<dc:date>2009-04-07T14:19:40Z</dc:date>
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		<description>La dimension cach&#233;e des r&#234;ves, r&#233;miniscence de l'avant vie, comme si ma m&#233;moire fonctionnait &#224; rebours et b&#226;tissait en couleurs. &lt;br /&gt;Pas de perspective classique&#8230; Une profondeur de champ n&#233;e de ce besoin intrins&#232;que d'approcher une autre dimension. &lt;br /&gt;Je laisse monter en moi le puissant d&#233;sir de peindre, de m'immerger au sein des ces films liquides que je pr&#233;pare. Peinture sans nul doute : visc&#233;rale, instinctive, habit&#233;e&#8230;. L'originel enfoui qui remonte d'un pass&#233; qui ne m'appartient plus. &lt;br /&gt;Eternelle &lt;a href=&quot;http://www.art-gedda.com/Memoire.html&quot; class='spip_in pts_suite' &gt; (...)&lt;/a&gt;


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		<title>Transparences</title>
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		<dc:date>2008-07-18T12:17:53Z</dc:date>
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		<description>Je n'ai pas chang&#233; d'outils par rapport &#224; mon travail ant&#233;rieur. De grands parents immigr&#233;s russe et italien je porte une sensibilit&#233; de d&#233;racin&#233;e. Un p&#232;re et un grand p&#232;re hommes du b&#226;timent, des couteaux comme instruments de travail : j'ai fait mien de leurs outils. &lt;br /&gt;Ce b&#226;ti est incisif. Tout est question de respiration. Inspiration, expiration, travail de la mati&#232;re color&#233;e, sentir sa fluidit&#233;, vouloir son opacit&#233; pour construire, mesurer sa transparence et sa charge d'&#233;motion. Construction mentale de la &lt;a href=&quot;http://www.art-gedda.com/Transparences.html&quot; class='spip_in pts_suite' &gt; (...)&lt;/a&gt;


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		<title>Recto verso, peintures suspendues</title>
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		<dc:date>2008-07-18T12:11:47Z</dc:date>
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		<dc:subject>menu_droit</dc:subject>

		<description>Ma recherche plastique me conduit depuis bon nombre d'ann&#233;es &#224; exploiter sans rel&#226;che les notions de perspective, expansion et mouvement. &lt;br /&gt;Ce m&#234;me propos me conduit naturellement &#224; travailler sur un autre support suffisamment solide pour s'int&#233;grer dans des sites naturels et suffisamment transparent pour ne pas occulter le lieu. &lt;br /&gt;Le support transparent correspond &#224; cette attente : plus de surface fig&#233;e, une perspective renforc&#233;e par l'application de la peinture sur les deux faces, une l&#233;g&#232;ret&#233; qui lui, &lt;a href=&quot;http://www.art-gedda.com/Recto-verso.html&quot; class='spip_in pts_suite' &gt; (...)&lt;/a&gt;


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		<title>Toiles 1997-2004</title>
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		<dc:date>2008-07-18T08:48:11Z</dc:date>
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		<dc:creator>alternat.net</dc:creator>


		<dc:subject>menu_droit</dc:subject>

		<description>Pas toujours facile de poser des mots alors que mon mode d'expression passe par la couleur. &lt;br /&gt;Je m'efforce de rester &#224; l'int&#233;rieur de ma peinture. C'est elle qui me conduit : des toiles pleines o&#249; l'accumulation des coups de couteaux tend vers l'&#233;largissement des plans color&#233;s. Je les synth&#233;tise avec pour point d'ancrage cette recherche de perspectives et de mouvements. &lt;br /&gt;L'illusion de la profondeur &#233;tant donn&#233;e, les vibrations au maximum de leur intensit&#233;, le corps &#224; corps avec la toile &#233;tant &#233;tabli et voulu, &lt;a href=&quot;http://www.art-gedda.com/Toiles-1997-2004.html&quot; class='spip_in pts_suite' &gt; (...)&lt;/a&gt;


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